8/29/98 – Saturday
Saturday morning I rose up and walked down to the Ile de la Cite, one of the two islands in the middle of Paris. My friends Martine and Donogh had warned me against the foolishness of going to Paris without seeing the Sainte Chapelle, so I decided to go there first in case I got hit by a bus later in the day. The courtyard surrounding the church is part of the Hall of Justice or some such, and it was just opening for the day. There were lots of stereotypical gendarmes strolling around in there funny little boxy blue hats, as well as some more rugged looking army types. Undaunted, I pressed through their midst towards the cathedral.
The Ste Chapelle itself wasn’t going to open for another half an hour, so I wandered around in front gaping up at the gargoyles and the little thin window slits of the stairway. Eventually I thought to step back away from the front of the church, and I couldn’t believe what I saw in through the open doors of the second floor. The sun was coming up behind the church, going through the stained glass windows, through the open door and then hitting my wide, wondering eyeballs. I’m something of a connoisseur of blue, but I’d never seen blues like these glowing jewels. My camera didn’t capture the blue, unfortunately, but my brain did. After a bit of waiting and chatting to Indiana locals out front, eventually we got to go inside. The lower church is nice (~20’ high), with a little bit of stained glass and lots of gold-leaf ceiling work, but the upper church is heavenly.
It must be 70 or 80 feet high, and all along the length of the hall there are huge stained glass windows running up to the ceiling. The predominant color is that cosmic blue, but each panel is a mosaic of red, blue and white telling the stories of the Bible, starting with Genesis at the back left of the church. The story of Jesus’ life, crucifixion and resurrection is at the front of the hall, and the large, swirling rose-shaped window at the back is about Revelation and the last days. Standing in that place was one of the most wonderful parts of my trip. It was particularly nice that morning because I was there early before most of the other tourists showed up with their cameras and noisy chatter. (History note: Sainte-Chapelle was built in only six years, 1242-1248!)
As you can see, the camera really didn’t do a good job with the blue; a pale shadow of that glorious color can be seen in the lower left hand corner of the large picture. In the small picture here I’ve taken the liberty of fooling with the blue to try to show you what it was like. It’s pretty, but it’s a miserable attempt at imitating the real thing.
I’ll pass on the tip: You’d be crazy to go to Paris and not see Ste. Chapelle!
A bit dazed, I moved further north, through the courtyard of the Louvre and towards my first silly stop in Paris: the Musee du Parfum. This was mostly memorable because of Florence, the charming and attractive French girl with the wonderful accent who managed to make herself heard to the 50 or 60 of us who were on her first tour of the day. She told lots of funny, suggestive stories about the various ways French women have used perfume and perfume containers to snare interesting men. One story I’ll relate: during the time of very tight corsets, women would wear a small, beautiful bottle of strong perfume on a necklace such that it would hang down into their décolletage. When an interesting gentleman would get within range at a party, ball, etc., the woman would choose this moment to “faint”, hoping the gentleman would notice and that he would be inclined to note her bosomage as he retrieved the special bottle to revive her. Florence told all sorts of good stories, and as the tour went on I found myself wondering if I was an “interesting gentleman.” “Scruffy tramp” is probably a bit more to the point.
Instead of dropping cash for smells, I headed towards the Jardin du Palais Royal. Along the way a very confused portly couple asked me for directions. Without a map you don’t have much hope in Paris. I helped them out and went on to take a walk through my first formal French gardens at the Royal Palace. French gardeners must be a very uptight lot: the trees are trimmed into perfect uniformity and the flowers are all kept in tight little clusters behind black ironwork fences. The lawns are frighteningly green and lush, but they’re also clipped and edged fanatically, giving the parks a strapped-down geometrical feel. Not my idea of a pleasant, natural environment; I prefer beauty to be a bit more chaotic. The Jardin is noted for its strange “art” installation of many rows of black-and-white striped columns of varying heights. Here again, the Art Philistine in me says, “Yeah, so?”
On I walked, stopping for a while to watch a wonderful classical guitarist entertain at a rather mallish, touristy collection of shops (a 1999 Bruce Willis calendar was available). His music was quite a contrast to the tediousness of the shops, I thought. A little boy with an untied shoe was transfixed by the music, and took about 5 minutes to slowly sway around the musician, finally coming up behind him on his left to look at the pages that the musician seemed to be getting all this wonderful music from. The boy was really cute. He noticed me looking on, and scampered over to say Hi to me. We didn’t have a lot to say to each other – language being a bit useless to both of us – but I pointed out that he had an untied shoe. He didn’t seem very concerned, and finally I figured out that the weary looking fellow who was standing nearby was the father. He was more patient than amused, unfortunately. I guess that having the Little Prince for a son is hard for grown-ups.
Somewhere in here I stopped for lunch at Lina’s sandwiches. A bit intimidated by my experience with the menu and the language the night before, I picked a place where I was confident I would know what I was ordering.
* I tried to order a sandwich in French.
* A weird look passed over the girl’s face.
* She disappeared.
She was replaced by a friendly English-speaking girl. $2 for a 12 oz. Coke. Ow!
I walked by the Georges Pompidou art museum (closed for renovations, unfortunately) and was entreated by a sketch artist to come sit for a free portrait. He said he needed practice on beards. At least two other artists on my trip pointed out my beard as a highly prized/rare feature. Unfortunately, I suspected it was a trick, and moseyed on. There was a yoga master balancing, twisting and contorting himself in the plaza, and a very large crowd was gathered to watch. He was incredibly flexible and strong, but not perfect. He kept trying to balance on one hand and never quite made it. An anatomist could have easily pointed out all of the major and minor surface muscles of the upper body on this fellow, for he had no discernable body fat. Very odd.
On to the Place des Vosges, a very famous public square surrounded by the old apartments of famous folks, Victor Hugo among them. The inside of the park had the same strapped-down look to it, but outside the gate there was a wonderfully funny mime who I watched for a while. He moved like a robot. Move, pause, move, pause, etc., but with a good range of wildly exaggerated facial expressions. Two little old ladies were coming out of the park, and one half-scolded me in French. She had to repeat herself a bit before I got understood, but I think she was saying that watching a mime was (or was not?) like going to a museum, one had to come up with piéces (coins) to pay the fellow. Finally understanding what she meant – and naturally agreeing – I gurgled up “natoor,” which was my spur-of-the-moment Esperanto for “naturally”. She seemed satisfied and they bustled off. I gave him a 5FF coin. He reached out to shake hands, and I switched into my best “robot” mode. He seemed charmed by this novelty, and we made a big to-do out of shaking hands like robots. It was hilarious. I sure wish I’d taken a picture of that fellow.
At this point I felt compelled to comment to FB: “I’ve seen more people kissing here in 8 hours than I have in the past 4 months.” Paris does seem to have that effect on people. I felt like kissing someone, but no one volunteered.
On I went to the St-Paul/St-Louis cathedral, built in ~1600. A fairly major avenue runs directly in front of the church and because the doors are left open all the time you can hear the traffic inside. It’s a bit anachronistic, to say the least. The stone walls of the church are blackening with time, and the place looked very tired to me. Maybe that was because I was tired….! My feet were holding up, but insurrection was rising.
Gas prices in France: 6.95FF per litre for 88 octane. I’ll calculate for you: $4.53 per gallon. Seems like there might be some profit in exporting gas to Europe, no? Most of the cars there are cute little things: Fiat, Renault, Nissan, Peugeot, Honda, Audi. I did see the rare Sport Utility Vehicle and the occasional Ford (a tiny model called the KA?). (I also saw two identical Lotus’ and a Lamborghini, all with Arabic plates and all within 20 feet of each other in the Trocadero.)
I headed back towards the hotel, stopping at a patisserie for a snack. Patisseries are everywhere, along with cafés, restaurants, boulangeries and bistros. The French are professional eaters, and who wouldn’t be in a place with that many good chefs? I bought a rhubarb tart for about $2.50. It was PERFECT! Slightly crisp on the outside with a gently sweet/sour rhubarb center and a dense buttery crust. It had a certain juiciness to it, and I couldn’t understand how it could be juicy without being drippy. I was transported. After that I made it a point to stop at least once a day for pastries. (The rhubarb tarte was the high point, patisserie-wise; the other things I bought were good but not celestial.)
I walked back to the hotel, rested for a bit, and then went down to find dinner. Dinner turned up next door to the hotel. (“Why walk any further?” my feet said, “This place looks great!”) It was great. Restaurant L’Interméde had a very nice French waiter who spoke English with a very heavy accent. He explained all of the different parts of the menu and made several wine suggestions. I was reluctant to spend much on wine because the house wines were just as good, to me. I ordered a salad with garnish of roasted chèvre that was a real work of art: half a dozen different types of lettuce, some kind of strange dressing and topped with little crispy balls of fried cheese. The friendly waiter talked to me quite a lot about America, but I don’t remember much of what we said. I wanted to eat my pretty salad.
The main course was a sea bass pastry surrounded by juicy little mushrooms and decorated with thin slices of zucchini and carrot. This was delicious, but again it was the little vegetables off on the second plate that stole the show: sauteed green beans bundled in bacon, an onion baked in some kind of sauce, and a little pile of flat noodles. The green beans/onion/mushrooms were phenomenal. It was at this point that I decided I didn’t care if I gained 20 pounds in France.
Some other diners came in to eat and promptly lit up cigarettes. I can’t say I understand this sort of behavior at all. I was pleased to note, though, that although they were French they needed help from the waiter to understand the different dishes on the menu.
Dessert was again a visual and culinary treasure. A small chocolate cake, a berry sorbet, an airy cream puff on a pool of rich cream, a thin apple tart slice, a pool of strawberry cream/jam, and a thin slice of apple, orange and peach, all of which was laid out by someone with a degree in Design.
In French restaurants, they won’t bring you the bill until you ask for it, so you need to learn “l’addition, s’il vous plait.” It’s nice to feel like you can strech out for a few hours if you want. I usually made most of my additions to FB while in restaurants.

Showering at the hotel was a race against time. For 15FF you could obtain a jeton that, when put into the slot next to the single public shower in the hotel, would supply exactly 5 minutes of water. (Above is a drawing of the coin, in case you’re interested in committing petty larceny on your next trip to Paris.) Each time I managed to finish the necessarys before my 5 minutes were up, but the whole situation made me jumpy.
8/30/98, Sunday
The plan was to take the métro from my hotel up to the Musée d’Orsay, but that turned out to be a lot more difficult than I expected. “Lost, as usual,” FB remarks, a bit snidely. I ended up wandering through the Jardin des Plantes, which would be nice except that the gardeners there are no less fanatical in their chopping and fencing-in. A large contented-looking cat walked up to me and let me pet him. While I was petting him, a talkative French girl of maybe 10 years of age came out of nowhere. She was quite a ways along in her conversation before I gurgled something up, “je n’parle pas francais.” She seemed a bit let down, said “Oh, well, goodbye then,” with a very natural English accent, and walked off. I walked along the Seine for a while until I came to the Orsay. The museum specializes in French Impressionist art, and I wasn’t looking forward to it, because I prefer the precise surrealists to the blurry impressionists. But I kept my mind open and found a lot that I enjoyed. Some favorites/observations:
Gustave Guillaumet – very large paintings of desert landscapes and bedouins.
Victor Naulet made a huge (30’ x 15’) painting of Paris as seen from a hot-air balloon. It was finished in 1855, so no Eiffel Tower or Arc d’Triomphe is visible.
Favorites by van Gogh – La Salle de danse à Arles (obscure). La méridienne, d’apres Millet, and Portrait de l’artiste, Sept. 1889 [scroll down], not obscure.
Georges Lacombe – a very disturbing bas-relief of a woman squeezing blood from her breasts, called Isis.
Seurat – Cirque, 1890. I like the impressionists when there is a rhythm to their work. The blurriness gets on my nerves, otherwise.
Rembrandt Bugatti – a white sculpture of his wife
Boleslas Biegas – Le Sphinx, a very simple, mysterious face.
Karel Masek – La prophetésse Libuse.
Quite a few rooms full of Art Nouveau furniture and paintings. I used to be irritated by the sight of all the loopy borders and curli-cue lettering, but now I’m taken with it. Lacombe did a less-bloody bas-relief called La Mort that I find very stylish, but I’m not sure if it’s really Art Nouveau. It reminds me of William Blake.
I grew up with the two famous Jean-Francois Millet paintings on the wall, so it was nice to see them in person.

Next up was the Eiffel Tower. I didn’t feel like paying to go to the top, so I just strolled around the bottom and looked up. It’s big.

I walked away from the Tower towards La Trocadero. On the bridge a fellow had set up a boom-box and was selling little dancing Mickey & Minnie Mouse figures. A 3″ cut-out of Mickey, with little string legs and arms. He stood just to the side of the boom box and danced around in time to the music. A crowd was gathered, trying to figure it out. Now and then the fellow would pick one up, demonstrating that it didn’t have any motors or batteries, etc., then set it back on the ground, where it would take up dancing again. I stood there for 5 minutes before I figured out that all of the dancing figures were in the plane of the back of the speaker, getting their energy from the changes in the magnetic field. I’m still a little unclear on the concept. It’s geeky of me to admit it, but I was more enthralled with the dancing Mickey than with the Eiffel Tower.

You be the judge.
I was really looking forward to seeing the Musée d’Art Moderne because I thought they would have a lot of Dalí, Matisse and Magritte. After getting lost for a half an hour or so, I managed to find the museum and get in. (I bought a 5-day museum pass for $40 that got me into a lot of places for free. This was one of them.) I won’t bore you with the details of my silly lunch at the museum café or the saga of trying to deal with the snooty museum personnel. Instead, I’ll bore you with more of my tirade against stupid modern art: Who was this “Braque” character, and why did anyone let him and Picasso get away with their cheap stunts? You can’t just paint a lot of drab geometrical nonsense and call it art. The art seemed to go downhill from there, through the ridiculous valley of Warhol and Rothko to the outright abyss of poorly-videotaped performance art of skinny guys in drag skittering around to unbearable, awkwardly whimsical calliope music. It’s crap! It’s ironic! It’s art!
The good points were few and far between, but here they are:
* Picabia (~1930’s) made a funny painting of a bug-eyed moon man.
* Giacometti sculpted Homme et Femme in 1928. I thought it was hilarious.
* I would like Jean Dubuffet if it were a little tidier. Nice patchwork patterns of colors.
I walked up towards the Arc d’Triomphe, noticing on my way all of the little tiny dogs leashed to women of varying girths. One of the little dogs was particularly charming, and I was so intent on watching him scamper along that I walked off a curb and almost brained myself on the pavement. The couple with the dog thought it was pretty funny. Dogs of all sorts are Uncle Vinny-magnets.
Feeling frisky, I jogged up the stairs of the Arc d’Triomphe until my progress was thwarted by wide, lumbering German senior citizens. I think it’s worth while to walk all the way to the top, because it’s placed at the center of an etoile (star) of avenues that radiate out from it to all different parts of Paris. The most dramatic view is down the Champs Elysees through the Tuileries and the Place de La Concorde to the Louvre, but of course you can also look out to see the Grande Arche de La Defense, Sacre Cœure, Notre Dame and the Eiffel Tower.
While people-watching back down at the base of the Arc, where there is a shield set in the ground commemorating the unknown French soldier, I was plagued by more gloomy thoughts on the nature of man. I won’t trouble you with them here.
Instead, I’ll mention that from there I took the métro down to La Defense, a large, puzzling plaza flanked by large French corporate offices and featuring an array of unusual modern sculptures/installations leading up to the Arche itself. I enjoyed one of the water fountains (skinny, spirally flamingoes?) and there was a neat rainbow mosaic covering a huge cylinder, but the Arche itself just confused me. What’s it supposed to be? What’s all that netting for? My little Philistine brain just can’t hack it, but I can’t say that it irritated me. The symmetry between it and the old Arc is rather nice. I wish someone would explain to me why one is an Arc and the other is an Arche when they are both plainly arches.
Dinner that night was a less expensive affair ($22 as opposed to $40), again within a block of my hotel. I had a nice little salad, an entrée of salmon w/ scrambled eggs that was delicate and good, and a main course that I didn’t write down so I don’t remember. I think it was beef of some kind, and that it was good but not stunning. Dessert was a strange sweet porridge of some kind. The Americans at the table next to me were considering whether they should order it, and asked my opinion. I’d only had three bites, but I said it was “unique” so they followed suit. After 7 bites it got a bit repetitious, and as we three left together, we commented on the monotony of it. I apologized for the bum steer, and they said they’d get over it somehow. The music here was an unusual mix of 80’s music. I remember hearing the line “but my eyes are just hollow glass” in a minor key. An atmospheric 3 minutes, that, amplified by nice French table wine. I spent my time making a drawing of the iron-work railings of my hotel across the street. This dinner was remarkable in that I conducted the entire conversation with the waiter in French. (If you think this is impressive, it’s not. Try not saying much to the waiter the next time you go out to eat. It’s easy, because there’s not a lot that needs to be said…)
Editorial remarks, circa 2010: The thing that jumps out at me here is how opinionated I was/am about art. If I don’t like it, it’s crap. If I like it, I probably love it. This is what happens when you’re raised around fundamentalists.
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